Public Art Proposals for C Street Garage @ 3rd Street
Mural for Two Vertical Panels

Below are three (3) artwork proposals for the two vertical blank panels along 3rd Street at C Street.
The panels each measure approximately 40 feet tall by 25 feet wide from ground level to the rooftop.
INTERCONNECTED
DAVID CHO
(Hercules, CA)
My mural for the San Rafael Arts District explores how opposites create unity. The work is composed of two panels, one evoking day and the other night, each distinct yet matching in feeling, designed to flow together as a single whole. The use of two-point perspective symbolizes this idea—two separate vantage points converging into one vision.
The imagery is built from fundamental building blocks, where even opposites connect to form strength and structure. These blocks become like puzzle pieces, each unique yet necessary, fitting together to create a greater whole. This reflects not only how the mural is composed, but also how communities function—every individual, culture, and history interlocking to build something larger than themselves.
Influenced by cubist structures and interdimensional planes, and inspired by both Frank Lloyd Wright’s Marin County Civic Center and the San Rafael Archangel Mission building, the mural connects innovation with heritage. The public railroad and the San Rafael– Richmond Bridge extend this theme as symbols of movement, transition, and connection—structures that Bay Area community, carried by the abundance of ocean waters and natural beauty, becomes the lifeblood of this vision.
Ultimately, the mural becomes a visual and inspirational puzzle, where opposites and differences come together to create one interconnected and vibrant community.
“Opposites are not opposing, they are two halves of the same whole.” - David Cho
Click image to view larger version
WEAVE AND WAVE: SAN RAFAEL’S WOVEN HERITAGE
HARUMO SATO
(Mountain View, CA)
The theme of this mural is to visualize direct and indirect interconnectivity. San Ratael's unique nature serves as an analogy for our society: a complex, interdependent, and rich organism.
Centering Coast Live Oak as a keystone species that unites San Rafael's ecosystem, I feature their leaves, acorns, and California Poppies which bloom well in their understory as a partner in a layered ecosystem, floating around the background.
Stylized blue streams represent San Rafael Creek system for which oaks are good neighbors, stabilizing slopes and providing nutrients through falling leaves.
A black-tailed deer and red-tailed hawk are featured to represent direct and indirect connections with Coast Live Oaks.
The red flowing string symbolizes the complex, mutual relationships that have been woven since before civilization started. Two background patterns reflect the history of San Rafael: one inspired by Coast Miwok basketry, the other from traditional Mexican striped woven blankets.
“I hope this mural inspires people to expand care and love among the community members who are directly and indirectly connected with them as nature does. The bold, colorful design and larger-than-life scale of the animals invite viewers to interact with the artwork, creating opportunities for photos and selfies that celebrate our connection to San Rafael's natural heritage.” - Harumo Sato
Click image to view larger version
HANDLE WITH CARE
BRYAN VALENZUELA
(St. Helena, CA)
For time immemorial, art has served varying key functions in the development of humanity as a whole. From the ashen walls of subterranean caves to the well-lit halls and populated streets of contemporary spaces, it has been a bridge beyond the barrier of culture and continent. It has been a visual chronicle of both time and space, a representation of the seen and the unseen alike, in expression of all the colors on the spectrum of emotion and intuition, and sometimes, just sometimes, a vision of what could or should come to pass.
My vision for the proposed mural encompasses a central focus on this latter sentiment while weaving in elements of the others, distilling complexity down into an essence of something reaching towards iconic yet layered enough to speak beyond its simple form. Here I've brought to life a common graphic sign seen in packing known as the “Handle with Care” symbol. Two hands rise from the bottom of the frame to cradle a delicate object, protecting it from harm while in transit. Inspired by the quotes above, I've used this symbol in connection with our civilization’s collective and sacred duty to care for the environment we share; to hold an awareness of our impact on the land and all the varied forms of life that surround us. For me this is a deeply spiritual gesture that acts far beyond any specifically held belief system. It is one which I firmly feel that we as a society can and should prioritize as a fundamental guiding principle; to understand the precious nature of this beautiful world and move into a more balanced and harmonious future accordingly.
To illustrate this concept I've chosen to use the Rose as a unifying motif set inside a vast Bay Area landscape. The Rose is a timeless symbol of the transient nature of existence, its beauty but also its fragility. It is the mythic flower of the soul and the center of love itself. This classic bloom is also a hidden allusion to one of San Rafael's most famous residents, the Grateful Dead, whose main office headquarters was located downtown for much of their storied career. The coastal bay landscape is mirrored in two panels: one portraying bright,blue skies on a sunny California day (left) and the other, that same landscape on a clear, star filled night (right). Each of the Classical Elements is here represented on Earth in the rolling hills, Water in rippling bay tides, Air in the clouds-strewn skies, and Fire in the abstracted, reflective gold/silver shapes descending from above, representing the flow of Solar/Lunar energies into our environment. The abstract shapes are inspired by the complex path of a Torus, the flowing and circular path taken in the creation of a magnetic field. These same shapes and concepts are used again as the abstracted climbing vines of the Rose motif, rising from its roots in the San Rafael soil.
All the portions of the mural are meant to be painted in full color with high quality Exterior Acrylic Paint except for the Hands Figures. These will be drawn in black and white with Exterior Acrylic Markers using a specific handwritten text technique that carves shape, shadow, and light from different densities of words. Within these figures will be inscribed memories and metaphors, philosophies and poems in conversation with the concepts of the image itself, transforming thought to image through the word. This aspect of the work melts into the figure at a distance but when recognized, invites a closer look and fresh perspective upon repeated viewing. Examples of this technique can be seen in past work via www.bryanvalenzuela.com
Entitled Handle With Care, this mural is a communal hope for the future, enacted in the present moment and built upon a foundation of gratitude in recognition of an ancestral past.
Click image to view larger version